James Sanders
06-05-2006, 01:33 PM
And thus the work proceeds;
the two tackles hoisting and lowering simultaneously;
both whale and windlass heaving, the heavers singing,
the blubber-room gentlemen coiling, the mates scarfing,
the ship straining, and all hands swearing occasionally,
by way of assuaging the general friction. âHerman Melville
Ahoy,
We are where we thought we would have been several weeks ago. Indeed, we had been telling our friends that we would be painting soon, but the soon turned into later, and the later turned into much, much later.
Maybe it wasn't quite that bad, but it has taken us a long time to reach this stage. We finished with our prep work, and covered the transom with cloth to help keep the hot Arizona sun a little respectableâ
Everything seemed to be OK. We had done as much damage was we could with this phase of boat building. Our Riccelli keel looked good. The epoxy cove looked almost respectable. We were on our wayâ
High Gloss Paint
After thinking a bit, we decided to go with a good primer, and a good paint. My friend, Steve Avans, suggested an auto variety, and so we went with his suggestion. We taped off the seams and then sprayed the primerâ
From a distance the hull and keel looked good, but we wondered about how the finish might look up close. High gloss, after all, would accentuate every defect, make everything look worse than it was. Now was the time to remove as many of the imperfections as we could. Here is how the keel/hull looked up close, and in the shadeâ
Not bad, not bad at all. I stepped back to take a long look at the bottom hull, and the keel once more, just to see how the cove joint might look. Here is what I sawâ
For better or for worse, we were on our way. The primer would have to be covered within 24 hours. So, we sanded the surface, and Steve and his son, Big Steve, began mixing the bronze metalic high gloss. The paint had dryers, hardeners and pigment, and all had to be mixed and activatedâ
The temperature was on the rise. In fact, it was well over 100 degrees and making its way to 110 plus. We needed to work quickly, or the high temperatures would simply not allow us to paint. In the next photo, you should be able to make out the keel and bottom hull as Big Steve uses an airless gun to appy the bronze metalic finishâ
How did the work turn out? Rather well, I think. Big Steve did a fantastic job, and the temperature and paint both behaved themselves rather well. The keel and bottom hull now have a copper/bronze look. Hopefully, the copper pigments/dust in the paint will keep the saltwater critters at bay.
Here is a close-of of the paint in bright sunlight. Perhaps, you will be able to make out the metallic pigment.
Tomorrow, we'll continue our work on the hull, and then focus on the bright work. The rough wood shape will soon be gone, and in its place an object that will resemble a boat. At least, such is our hope. Our side hull will be an off-white with a high gloss once more.
The temperature is supposed to be a little cooler tomorrow, just under 110 degrees. The dark area in the photo is a reflection of shade, not some unsightly imperfection.
the two tackles hoisting and lowering simultaneously;
both whale and windlass heaving, the heavers singing,
the blubber-room gentlemen coiling, the mates scarfing,
the ship straining, and all hands swearing occasionally,
by way of assuaging the general friction. âHerman Melville
Ahoy,
We are where we thought we would have been several weeks ago. Indeed, we had been telling our friends that we would be painting soon, but the soon turned into later, and the later turned into much, much later.
Maybe it wasn't quite that bad, but it has taken us a long time to reach this stage. We finished with our prep work, and covered the transom with cloth to help keep the hot Arizona sun a little respectableâ
Everything seemed to be OK. We had done as much damage was we could with this phase of boat building. Our Riccelli keel looked good. The epoxy cove looked almost respectable. We were on our wayâ
High Gloss Paint
After thinking a bit, we decided to go with a good primer, and a good paint. My friend, Steve Avans, suggested an auto variety, and so we went with his suggestion. We taped off the seams and then sprayed the primerâ
From a distance the hull and keel looked good, but we wondered about how the finish might look up close. High gloss, after all, would accentuate every defect, make everything look worse than it was. Now was the time to remove as many of the imperfections as we could. Here is how the keel/hull looked up close, and in the shadeâ
Not bad, not bad at all. I stepped back to take a long look at the bottom hull, and the keel once more, just to see how the cove joint might look. Here is what I sawâ
For better or for worse, we were on our way. The primer would have to be covered within 24 hours. So, we sanded the surface, and Steve and his son, Big Steve, began mixing the bronze metalic high gloss. The paint had dryers, hardeners and pigment, and all had to be mixed and activatedâ
The temperature was on the rise. In fact, it was well over 100 degrees and making its way to 110 plus. We needed to work quickly, or the high temperatures would simply not allow us to paint. In the next photo, you should be able to make out the keel and bottom hull as Big Steve uses an airless gun to appy the bronze metalic finishâ
How did the work turn out? Rather well, I think. Big Steve did a fantastic job, and the temperature and paint both behaved themselves rather well. The keel and bottom hull now have a copper/bronze look. Hopefully, the copper pigments/dust in the paint will keep the saltwater critters at bay.
Here is a close-of of the paint in bright sunlight. Perhaps, you will be able to make out the metallic pigment.
Tomorrow, we'll continue our work on the hull, and then focus on the bright work. The rough wood shape will soon be gone, and in its place an object that will resemble a boat. At least, such is our hope. Our side hull will be an off-white with a high gloss once more.
The temperature is supposed to be a little cooler tomorrow, just under 110 degrees. The dark area in the photo is a reflection of shade, not some unsightly imperfection.