James Sanders
12-30-2007, 12:40 PM
And thus the work proceeds;
the two tackles hoisting and lowering simultaneously;
both whale and windlass heaving, the heavers singing,
the blubber-room gentlemen coiling, the mates scarfing,
the ship straining, and all hands swearing occasionally,
by way of assuaging the general friction. âHerman Melville
Ahoy,
Our rail caps are beginning to look respectable enough for a photo or two. The monkey boards are evident now, and so is the raised bulwark. Our first attempt at a bulwark turned out rather pathetic. Something just did not look right.
"What?" you think the bulwark still does not look right? Well, wait until you read further and look at a photo or two."
Undoubtedly, you want to know about the kevel and hawse as well. Just be patient; these will later have their own postings. For now, let's just talk about the rail cap and bulwark, shall we? This is how things look on port.
Rather disgusting, isn't it? Well, I need to tell you that the wood should clean up rather nicely. In fact, Bill Olney will be coming over, and he and I will be working together.
No, I did not show Bill this photo. If I had, he might not have wanted to come by and help with the boat. He will not know he has been had until like yourself, he sees this photo.
In the meantime, though, let's take a look at starboard. The rail cap seems a bit more promising there. Here is a photo illustrating how the rail cap must follow at least three planes in its curvature.
We're far from done, but unlike port, we are far from being done in. In fact, we laminated in situ, using the hull itself as a form. When completed, the rail cap will have 5 laminates. Here is another photo, illustrating perhaps a bit better what we are trying to accomplish. What the photo does not capture, however, is the outside rounded overhang. Once finished, both sides of the rail cap will have a rounded overhang. After all, you do want the cap rail to look like a cap rail.
In fact, this photo shows the separate laminates with the one layer being maple; the others, mahogany. When completed the rail cap will have 5 separate laminates. Each laminate took about 3 hours to fit and glue in place. We wanted to have tight glue joints, and for the most part, that's what happened.
This last photo is again of port, but here you should be able to trace the actual sheer of the bulwark itself. When we first made our bulwarks, we mistakenly followed the sheer of the deck. That's not what you want to do. I learned that the hard way.
Paul Riccelli suggested that I raise the height of the bulwark, especially at bow and stern. His suggestion proved to be invaluable.
Fred Bingham in his book, Practical Yacht Joinery emphazies what Riccelli was saying:
Riccelli likewise suggested squinting. I can tell you I did a lot of squinting. From a woodworking perspective, the problem is that you must work up close and far at the same time. What looks great at 3 feet will look terrible at 30 feet. And yet, you must work from both distances simultaneously. You must also look at the bulwark sheer from every perspectiveâ from the bow, from the stern, from admidships, from the deck, from the perspective of a dock.
Chappelle, Boatbuilding, states that low bulwarks are usually not much trouble, but he also cautions regarding the plank-sheer, "This is not an easy job for a beginner, and it is best to use a template for the job." I used several templates, one of which actually worked.
Once the bulwark and rail caps have been completed, we will begin work on the hawse and kevel. At least, that's our plan for now. In the meantime, Bill and I will do a lot of shaping and sanding. The curves that follow three planes have to be just right, or the boat will look awkward.
For the benefit of Dr. Charles Goodall, shaping the rail cap will be a matter of aesthetic geometry and algebraic bisecting lines. If Charles is like most of us, he has no idea about kevels, hawses and such like. I never understood how mathematics can be exact when you work with imaginary numbers and such like.
the two tackles hoisting and lowering simultaneously;
both whale and windlass heaving, the heavers singing,
the blubber-room gentlemen coiling, the mates scarfing,
the ship straining, and all hands swearing occasionally,
by way of assuaging the general friction. âHerman Melville
Ahoy,
Our rail caps are beginning to look respectable enough for a photo or two. The monkey boards are evident now, and so is the raised bulwark. Our first attempt at a bulwark turned out rather pathetic. Something just did not look right.
"What?" you think the bulwark still does not look right? Well, wait until you read further and look at a photo or two."
Undoubtedly, you want to know about the kevel and hawse as well. Just be patient; these will later have their own postings. For now, let's just talk about the rail cap and bulwark, shall we? This is how things look on port.
Rather disgusting, isn't it? Well, I need to tell you that the wood should clean up rather nicely. In fact, Bill Olney will be coming over, and he and I will be working together.
No, I did not show Bill this photo. If I had, he might not have wanted to come by and help with the boat. He will not know he has been had until like yourself, he sees this photo.
In the meantime, though, let's take a look at starboard. The rail cap seems a bit more promising there. Here is a photo illustrating how the rail cap must follow at least three planes in its curvature.
We're far from done, but unlike port, we are far from being done in. In fact, we laminated in situ, using the hull itself as a form. When completed, the rail cap will have 5 laminates. Here is another photo, illustrating perhaps a bit better what we are trying to accomplish. What the photo does not capture, however, is the outside rounded overhang. Once finished, both sides of the rail cap will have a rounded overhang. After all, you do want the cap rail to look like a cap rail.
In fact, this photo shows the separate laminates with the one layer being maple; the others, mahogany. When completed the rail cap will have 5 separate laminates. Each laminate took about 3 hours to fit and glue in place. We wanted to have tight glue joints, and for the most part, that's what happened.
This last photo is again of port, but here you should be able to trace the actual sheer of the bulwark itself. When we first made our bulwarks, we mistakenly followed the sheer of the deck. That's not what you want to do. I learned that the hard way.
Paul Riccelli suggested that I raise the height of the bulwark, especially at bow and stern. His suggestion proved to be invaluable.
Fred Bingham in his book, Practical Yacht Joinery emphazies what Riccelli was saying:
Quote:Getting a fair sheer is something else! To sight properly, you'll have to stand off a good distance. You may have to climb up on a tall stepladder to bring your eye level with the sheer. Move the battens up or down a smidgen here and there until you get the lumps out. Call for another opinion. Go away for a day or two, and then take another squint.
Riccelli likewise suggested squinting. I can tell you I did a lot of squinting. From a woodworking perspective, the problem is that you must work up close and far at the same time. What looks great at 3 feet will look terrible at 30 feet. And yet, you must work from both distances simultaneously. You must also look at the bulwark sheer from every perspectiveâ from the bow, from the stern, from admidships, from the deck, from the perspective of a dock.
Chappelle, Boatbuilding, states that low bulwarks are usually not much trouble, but he also cautions regarding the plank-sheer, "This is not an easy job for a beginner, and it is best to use a template for the job." I used several templates, one of which actually worked.
Once the bulwark and rail caps have been completed, we will begin work on the hawse and kevel. At least, that's our plan for now. In the meantime, Bill and I will do a lot of shaping and sanding. The curves that follow three planes have to be just right, or the boat will look awkward.
For the benefit of Dr. Charles Goodall, shaping the rail cap will be a matter of aesthetic geometry and algebraic bisecting lines. If Charles is like most of us, he has no idea about kevels, hawses and such like. I never understood how mathematics can be exact when you work with imaginary numbers and such like.